A vandalised museums vitrine, Scratched and tagged from the inside, shows fragments of the Daily Rave Diagram—a circular system oscillating between primordial sacred sphere and profane social domestication, between ecstatic exhaustion and productive order.The vitrine, normally a dead device of preservation, becomes both manifesto and instrument. Its transparent body is vandalised internally, reversing institutional authority. What should protect and display is instead activated and seemingly destabilized. Used as a DJ desk for Mutuogenesis, the object shifts from archive to generator. The carved diagram maps rave as a life strategy—intoxication and excess transformed into collective transcendence; pleasure and excitement as leading motivation; ecstatic exhaustion as a tool to balance energy in work and leisure.The work frames rave not as escapism but as a daily practice: a cyclical movement between sacred fusion and social reality. The vandalised vitrine becomes both relic and engine of this process—a controlled rupture inside the museum logic, inviting viewers to join the Daily Rave.