Jerszy Seymour (CA & UK) is an artist, designer and director and cofounder of the Dirty Art Department, a radical masters program in art and design at the Sandberg Institute in Amsterdam running since 2011.

He uses the transformative potentials of art, design and activism in order to create 'situations for a possible planet to come' in the quest for the creation of a more equitable, just and joyous world.

His work has been presented in many museums and institutions and is held in many permanent collections including the Centre Georges Pompidou, the MAK Vienna, Kunsthaus Glarus, the Vitra Design Museum, the Museum of Modern Art, Marta Herford, Mudam Luxembourg, M&KG Hamburg, Fondation Lafayette and the Fonds National d’ Art Contemporain France. He is represented by Galerie Kreo in Paris, and has taught and given lectures and workshops at many schools including the Royal College of Art, UdK , Domus Academy, La Sapienza, Eindhoven Academy, Berlin Program for Artists, Hfg Karlsruhe and Saarbrucken, Cranbrook Academy, Ecal Lausanne and the HEAD in Geneva.

Kolozsvári born Ingrid Meszaros (RO/IT, born 1999) is a realist practitioner who focuses on the physical realisation of ideas. Rather than identifying strictly as a designer, she positions herself as a researcher-practitioner. Meszaros is particularly engaged in the technical development and execution of projects, collaborating closely with creative directors and artists to bring their visions to life. She approaches production as both a craft and a responsibility, believing that the process of making carries ethical weight. For her, the value of an artwork lies not only in its concept but in the care, intention, and sustainability embedded in its creation.

Lydia James Thompson (US, born 1999) is a multi-disciplinary artist and researcher based in Berlin. Her practice strives to make visible what is often obscured in daily interactions with our material culture and built environments. Her work explores relationships between materials and their source in the landscape, between objects and the labor that created them, and between infrastructures and the socio-economic systems they support. James Thompson considers art to be an everyday process that demands questioning how worlds are created and reminds us that our physical realities can be reimagined.